Pirkei Avot and Pirates of the Caribbean

There’s a running gag in Pirates of the Caribbean: The Curse of the Black Pearl (2003). It concerns the Pirates’ Code. Is this Code a set of binding rules or does it merely offer guidelines? Much excitement and swashbuckling action turns on the answer to this question, since a pirate who considers the Code to offer no more than suggestions for correct conduct is free to decide whether to comply with it or not.

Much the same considerations apply to Pirkei Avot. Do its moral precepts form a binding code of conduct, to be honoured and respected by all? Or is it simply a list of preferences that any individual can respect or discard at his discretion? Rabbi Elazar Ezkari in his Sefer Charedim, regards much of the content of Avot as binding law, but most other scholars take a more flexible view.

Conceived for children’s entertainment, this Pirates of the Caribbean movie can actually be a valuable didactic tool in explaining how law and morality affects any self-regulating minority. At the top of the tree, as it were, it depicts norms that are universally binding, both on the population at large and on pirates. The obvious example are the laws that make piracy illegal and require the punishment of pirates. Then, by analogy to norms that are relevant only to Jews, there are norms that are applicable only to pirates. Thus the Pirates’ Code is addressed only to pirates and may only be invoked by them. And, similarly to Pirkei Avot, the Pirates’ Code is observed strictly by some but viewed by others as mere guidance.

The analogy between the Pirates’ Code and Pirkei Avot cannot however be stretched too far. It is plain from the movie that, when a pirate treats the Code as mere guidance, he does so in order to further his self-interest. With Avot, however, it is understood that the breach of any of its provisions should only be done with the objective of performing some greater good. An obvious example is the advice to greet everyone with a happy, smiling face (Avot 1:15) since we sadly encounter many situations in life in which a more solemn demeanour is more appropriate.

Incidentally, in Gilbert & Sullivan’s comic opera The Pirates of Penzance, the position taken by the librettist is apparently that obligations entered into between pirates are regarded as being absolutely binding precisely because they are a matter of honour rather than legally enforceable commitments.